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You Sunk My Battleship!

Behind the Scenes of Battleship with ICG Magazine   High action on the high seas with Tobias Schliessler, ASC and director Peter Berg. By Kevin H. Martin. Photos by Frank Masi/ILM/Universal pictures. As Transformers, Pirates of the Caribbean and other films adapted from the unlikeliest of sources... Read more..

U.S. Puts Forth Strong Presence at Cannes

  Presenting five out of 22 films vying for the Festival's most prized prize, the Palme D'Or, the U.S. is enjoying its strongest showing in years as the red carpets prepare to roll in Cannes. Even with some notable names missing from the roster, there's little doubt that this is a great presentation... Read more..

Visual Style And Gripping Stories Are "Pitch" Perfect

AMC's new series elevates the reality genre
The non-fiction series is not a new venture for AMC.  They’ve previously aired "The Talking Dead," a half hour companion piece to their popular drama "The Walking Dead," and "Comic Book Men," the Kevin Smith series that explores the inner... Read more..

Video: The Immersive Dome Experience

Experience Immersion Technology with Ed Lantz Ed Lantz, Founder of Vortex Immersion Media and a major voice in immersive and full dome production, will share his visionary perspective. This Keynote presentation in the Vortex Dome included a showcase of immersive projects as well as conversation with... Read more..

module by Inspiration

A Conversation with Dado Valentic

INBREDLondon colorist and digital image workflow expert discusses digital cinema and 3D.

London’s Soho-based Dado Valentic is a colorist and digital image workflow expert. His facility, MyTherapy, provides clients with on-set supervision, including look development, color grading and finishing, and digital distribution, with a specialization in stereo 3D. While much of Valentic’s work is on independent feature films, such as Inbred – the latest work by director Alex Chandon – the facility also delivers commercials projects, music videos and television shows.

Traditionally colorists have not been involved in distribution, but Valentic takes a larger view. “I believe that it is our responsibility as colorists and post artists to push digital technologies forward,” he says. “While camera manufacturers are creating better sensors and more refined tools, our mission is to learn how to process these images to ensure they look their very best once they reach the viewer.”

We spoke recently with Valentic at his facility in London.

Tell us about your most recent project, Inbred.

I think this is, so far, my best work. Things just came together really nicely for this project. I had just got an upgrade for my DaVinci Resolve system. It was shot in 4K, so I had these beautiful images to work with. I had an amazing director, Alex Chandon. This was his comeback project after 10 years away and he was so passionate about the film. We had a great time and everything just came together: my equipment was working great and the film was great, and when I look at it, I am very proud. I think it’s the nicest job I've done so far.

READ THE REST OF THE ARTICLE HERE

 

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