You Sunk My Battleship!
Behind the Scenes of Battleship with ICG Magazine
High action on the high seas with Tobias Schliessler, ASC and director Peter Berg. By Kevin H. Martin. Photos by Frank Masi/ILM/Universal pictures.
As Transformers, Pirates of the Caribbean and other films adapted from the unlikeliest of sources... Read more..
U.S. Puts Forth Strong Presence at Cannes
Presenting five out of 22 films vying for the Festival's most prized prize, the Palme D'Or, the U.S. is enjoying its strongest showing in years as the red carpets prepare to roll in Cannes. Even with some notable names missing from the roster, there's little doubt that this is a great presentation... Read more..
Visual Style And Gripping Stories Are "Pitch" Perfect
AMC's new series elevates the reality genre
The non-fiction series is not a new venture for AMC. They’ve previously aired "The Talking Dead," a half hour companion piece to their popular drama "The Walking Dead," and "Comic Book Men," the Kevin Smith series that explores the inner... Read more..
Video: The Immersive Dome Experience
One Day, 300 Women, and Constantly Changing Lighting Conditions
Filmmakers reveal their beauty secrets for Pantene commercial.
Director Robbie Dinglasan was given only one day to shoot 300 women and their flowing tresses outdoors in constantly changing lighting conditions for what was considered the “biggest hair commercial” ever done in the Philippines. The campaign marked the launch of Procter & Gamble’s Pantene Nature Care line of hair care products in that region.
“Had I shot digital, I would've had a sea of black waving stuff,” he says, lamenting a potential lack of highlights and detail. He knew shooting on film was the answer, and the client and the ad agency, Mediacom/Philippines, agreed after seeing a side-by-side comparison between digital and film. “The overall consensus was that Pantene shot on film looked glossier and higher end,” Dinglasan says.
Read more at Kodak In Camera
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Are You Ready to Create 3D Movies?
Panelists: Dimitris Athos, 3D Stereoscopic Producer, UVPHACTORY; Jan Crittenden Livingston, Product Line Business Manager for AVCCAM and 3D camcorders, Panasonic Broadcast; Christopher Crescitelli, HELLO!, 3D Creative Director; Mark Pederson, Founder of OFFHOLLYWOOD and producer of 3D movies; Geoff Boyle, cinematographer of 3D movies; Robert Willox , Director of 3D Business Development, Sony; and Jerome Thelia, Colorist, Visual Effects Artist, Stereographer. Moderated by Nick Dager, IndieFilm3D and Digital Cinema Report publisher, filmmaker and journalist.
Written on Wednesday, 10 November 2010 16:16 in Panels
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Tom Houghton, ASC discusses shooting Rescue Me
As the final season of FX's Rescue Me airs this summer, watch the video of DP Tom Houghton, ASC discussing his experience shooting the hit series. Tom and American Cinematographer writer Iain Stasukevich break down Tom's methods and stories for the sixth season.
Written on Wednesday, 20 October 2010 15:06 in Panels
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KEYNOTE: Alex Grossman, Active Storage The Evolution of DAM
The increased demands on the creative process - 2K/4K and beyond - have put dramatic pressure on DAM to respond with constantly improving performance and flexibility. To help drive DAM's smart evolution, manufacturers and users must be willing to work closely to embrace new standards and techniques.
Written on Tuesday, 08 June 2010 21:29 in Panels
Tags: DAM Digital Asset Management Be the first to comment! Read more...
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AVATAR - Finishing the pinnacle of 3D Movies
Joyce Cox, Visual Effects Producer, Skip Kimball, DI Colorist, ModernVideoFilm, Christopher Marino, Visual Effects Editor, John Refoua, ACE, editor, Stephen Rivkin, ACE, editor, Janace Tashjian, Associate Producer, Moderator: Dan Restuccio, POST, West Coast Editor of POST Magazine.
Written on Monday, 07 June 2010 18:03 in Panels
1 comment Read more...
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A Keynote Conversation with Oscar Winner Wally Pfister
Three-time Oscar nominee Wally Pfister, ASC ("Dark Knight," "The Prestige," "The Italian Job") will discuss the art, craft and realities of storytelling from behind the camera and beyond. Moderated by: Peter Caranicas, Managing Editor, Variety.
Written on Monday, 26 April 2010 17:04 in Panels
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