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You Sunk My Battleship!

Behind the Scenes of Battleship with ICG Magazine   High action on the high seas with Tobias Schliessler, ASC and director Peter Berg. By Kevin H. Martin. Photos by Frank Masi/ILM/Universal pictures. As Transformers, Pirates of the Caribbean and other films adapted from the unlikeliest of sources... Read more..

U.S. Puts Forth Strong Presence at Cannes

  Presenting five out of 22 films vying for the Festival's most prized prize, the Palme D'Or, the U.S. is enjoying its strongest showing in years as the red carpets prepare to roll in Cannes. Even with some notable names missing from the roster, there's little doubt that this is a great presentation... Read more..

Visual Style And Gripping Stories Are "Pitch" Perfect

AMC's new series elevates the reality genre
The non-fiction series is not a new venture for AMC.  They’ve previously aired "The Talking Dead," a half hour companion piece to their popular drama "The Walking Dead," and "Comic Book Men," the Kevin Smith series that explores the inner... Read more..

Video: The Immersive Dome Experience

Experience Immersion Technology with Ed Lantz Ed Lantz, Founder of Vortex Immersion Media and a major voice in immersive and full dome production, will share his visionary perspective. This Keynote presentation in the Vortex Dome included a showcase of immersive projects as well as conversation with... Read more..

module by Inspiration

Building the "New Girl" Part Two: Continuing the Series

newgirl2An interview with production designer Michael Whetstone.

 

Production designer Jeff Sage established the primary set used on “New Girl.”  Once the series was picked up, production designer Michael Whetstone stepped in to take over where Sage left off, and continue defining the look of the series as the episodes and characters evolved.  Continuing our discussions of production design for “New Girl” that 411 Publishing started in November (http://www.resource411.com/411Update/Issue/Articles/Story.cfm?StoryID=1213 ) 411 recently spoke with Whetstone to learn what it takes to pick up the reigns.

 

411:  What was it like jumping onto the show after the pilot already shot and the apartment was already in place?


Michael Whetstone:  When I watched the pilot, what I felt was missing was the sense of who these people really were apart.  The first thing we did in going to series was realize each character was going to need their own space.  On the pilot we saw Jess’s bedroom, but you didn’t see where the guys lived.

 

Read the rest of the interview here.


spnsVariety411

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