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date-ete-march2011

Intensives (free to attend)


spnsAdobeRedsmallAdobe Intensive: Editing HDSLR Video with Adobe Creative Suite 5 Production Premium

March 3

PART 1: 11:00 AM-12:00 PM | PART 2: 12:00 PM-1:00 PM

 

In this 2-part session you'll learn production and post-production techniques to ensure a smooth edit with your HDSLR footage. In session one, you’ll learn how to shoot better footage in the field. You'll also discover how to browse, load, and quickly organize your footage for editing. In session two, you’ll learn strategies for color correction, audio syncing, and camera calibration.  Finally, you'll discover how to harness the professional-quality tools in CS5 Production Premium to natively edit, color correct, mix audio, and publish to the web and Blu-ray Disc.

This workshop is taught by Richard Harrington, co-author of From Still to Motion: A photographer's guide to creating video with your DSLR.


spnsHarmonicHarmonic Intensive: Eliminating Puddles of Storage with Omneon MediaGrid Shared Storage

March 3, 12:45 PM-2:45 PM

 

Does your media production facility suffer from puddles of storage? Direct-attached arrays or workgroup SANs that service only a portion of the workflow can eat up time in transfers and storage management. Harmonic will explain how the Omneon MediaGrid streamlines production edit environments, with support for collaborative editing, clip and metadata management, project sharing and transcoding—all over Ethernet and without per-seat client licensing. This session will also provide an early pre-NAB glimpse of a new MediaGrid configuration capable of supporting dozens of edit seats with a single, low-cost node.


PanasonicPanasonic Intensive: Panasonic’s AG-AF100 4/3rd HD Camera

March 3, 3:00 PM-5:00 PM

 

By Jan Crittenden Livingston, Product Manager, Panasonic Solutions Company
Panasonic's AG-AF100 AVCCAM camcorder is the world's first professional HD camera equipped with a 4/3rds MOS image sensor. Learn how the AF100's Four Thirds type MOS sensor (with an imaging area almost the same as that of 35mm film), allows easy recording of film-like images with a shallow depth of field, while providing the cost advantages of a growing line of professional quality, industry standard micro 4/3-inch lenses, filters, and adapters. You'll learn how this new 1080p/720p production camera can provide you the superior video handling, native 1080/24p recording, variable frame rates, professional audio capabilities, and the long record times (up to 12 hours). If you've been looking for an affordable professional camera, this could be the one you've been waiting for.


CanonCanon Intensive: The Post-Human Shooter

March 3 - 1:00 PM-3:00 PM

 

Everyone will tell you that it's not about the technology and it's all about the story. Cool, now that we've covered that, let's talk about that one shoot where there's no money for a dolly, a Phantom camera, or a 1st AC, but you want the effects of all three. On that job the technology is the story, and it goes way beyond knowing what buttons to press. On those jobs you become intimate with the camera and software is your assistant, complete with a personality, quirks, strengths, and dislikes. I've had a bunch of successes and one humiliating failure using technology to shoot beyond my budget level. I'll tell those stories, talk about what worked, and share the test footage.

Michael-BliedenMichael Blieden is currently a staff writer and director for “Late Night With Jimmy Fallon” on NBC. Since the show began in March of 2009, he has directed and DP'd over 100 short films and music videos, including Fallon's "Born To Run" opening number for the 2010 Emmy Awards. Before joining "Late Night", Blieden directed "The Comedians of Comedy", "Zach Galifianakis Live At The Purple Onion," as well as music videos for Fiona Apple, Kanye West, and Aimee Mann. Blieden also wrote the feature film "Melvin Goes To Dinner," directed by Bob Odenkirk.


spns3ality3ality Digital Intensive: S3D Technology

March 3, 1:15 PM-3:15 PM

 

This is a critical year for Stereoscopic 3D.  Companies at all stages of the production chain are struggling to answer the question “What do we do about S3D?”

 

3ality Digital is the leading developer of integrated, intelligent solutions for live-action S3D.  Our technology is immensely valuable in production, post-production and distribution workflows for live broadcast, feature films and television, and is being used by Sony Pictures Entertainment, BSkyB, CJ Powercast, FujiTV, and many other industry leaders.  We have been the engine behind many industry firsts, including the movie U2 3D, multiple feature films currently in production with powerful new cameras, and groundbreaking live 3D sports broadcasts on nearly every continent, from the NFL to the Premier League & IPL.

 

Join 3ality Digital at the Entertainment Technology Expo where we will be presenting our industry-leading S3D technology in the heart of Hollywood along with special guest presentations from top S3D content creators and workflow partners. We will also be giving a sneak-peek at some NAB plans! Please contact Lucas Wilson at This e-mail address is being protected from spambots. You need JavaScript enabled to view it for private demo bookings and meetings.


spnsSonyMakeBelievesmSony Intensive: Redefining Indie Filmmaking

March 3, 12:30 PM-2:30 PM

 

Super 35mm Power in the Palm of Your Hands
Sony is fully committed to Super35mm image technology, having set the benchmark with the F35, then following with the ground breaking SRW-9000PL single piece shoulder mount camcorder.  And now the handheld PMW-F3 that combines hi-end technology and creativity into a new tool for filmmakers is available!  The F3 expands Sony’s large sensor Super 35mm camera line with state-of-the-art engineering, compact size and spectacular performance all at an attractive “indie” price.  Come see what all the buzz is about and explore the capabilities of the F3.


spnsAJAsmAJA Video Systems Intensive: Ki Pro Mini

March 3, 3:30 PM-5:30 PM

 

Lens to Post in a Flash.
Join AJA Product Marketing Manager, Tony Cacciarelli, for an exciting exploration of the workflows and camera attachment options that make the Ki Pro Mini your choice for 10-bit, full raster acquisition directly from virtually any camera.

  • Extreme Portability for any shooting environment
  • 10-bit full raster recording to Apple ProRes 422 SD and HD formats 
  • Record Edit-Ready SD/HD files from any camera to Compact Flash (CF) cards
  • Skip log and capture with instant mounting of native OSX media
  • Professional connectivity through SD/HD SDI and HDMI I/O
The newest member of the award-winning Ki Pro family, Ki Pro Mini simplifies the link between production and post by acquiring directly via SDI or HDMI from any camera regardless of format. Using any of the four quality levels of the Apple ProRes 422 codec; Proxy, LT, 422 and HQ, Ki Pro Mini gets your camera footage to Apple Final Cut Studio quickly and easily, right on set.

 

With a miniature form factor that makes for the smallest camera and recorder package available, Ki Pro Mini is the simplest and most compact way of connecting production and post, anywhere shooting takes you. And recording to solid state Compact Flash cards ensures durability in a space-saving format.

 

Tony will show you just how simple and intuitive Ki Pro Mini is to configure and capture clips directly to Apple Pro Res files, simplifying your entire workflow in the process!


Attendee INTENSIVE/PRESENTATION Instructions
SEATING IS VERY LIMITED! Seating will be first come, first serve. YOUR REGISTRATION DOES NOT GUARANTEE YOU A SEAT! Createasphere reserves the right to refuse seating to anyone.

Be aware: While you are registered for this INTENSIVE/PRESENTATION, we will begin seating for the wait list fifteen minutes before the start of the session, so please arrive one half hour before the beginning of the session to have the best chance at guaranteeing a spot.

 

Attendee Wait List INTENSIVE/PRESENTATION Instructions

If the intensives/presentations above are full we will begin seating for people in the wait list line fifteen minutes before the start of the session, so please arrive one half hour before the beginning of the session to have the best chance of entry.

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